Thursday, April 17, 2014

Jam of the Day | Dan Deacon - Crystal Cat


Moogfest begins next week!

This exciting for many reasons, not the least of which being that Dan Deacon will be blowing minds at a venue called New Earth on Thursday night. His live shows are legendary affairs that often entail lots of weird audience participation and rave dancing, so god only knows what Deacon has up his sleeve for Moogfest this year. I will certainly be there and will almost certainly make a fool out of myself dancing like an epileptic squid.

"Crystal Cat" is an oldie-but-goodie that gives you a pretty good primer in Dan Deacon's absurd brand of psychedelic electro-pop.

Get pumped.

Tuesday, April 15, 2014

Jam of the Day | Honeymilk - Red Paper Buildings


I don't know about y'all, but I can't sit in a quiet room without going slowly insane. In fact, let's take that one step further -- in my hell, everything is on mute, speakers don't exist, and everyone, both male and female, has the face and body type of Chris Christie. Good god -- shudder to think!

So, it won't surprise you to know that upon arrival at Speakers in Code headquarters each day, I fire up the ole internet radio transistors, and stream music as I work for minutes on my blog posts.  Usually, this means not hearing a single note being played by whatever DJ happens to be spinning MP3s at the moment. However, once in a blue moon, a piece of music will cut through the brilliance currently firing from those synaptic receptors and force me to pump up the volume and take note.

This is one of those songs -- and it was around the 3:00 mark that I officially fell in love with these Stockholmare dudes, and put their album on repeat for the remainder of the day.

Bad. Ass.


Monday, April 14, 2014

Jam of the Day | Highasakite - Lover, Where Do You Live?


And if I ever see you again, my love
All I'm ever gonna do is send shivers down that spine of yours.


What a song to open Highasakite's full-length debut, Silent Treatment, which you can listen to and purchase now. And what a way to begin the week. I like how it begins. I like how it ends. I love how it talks about comfort and the undetermined future. There no guarantees, people.

No guarantees.

Sunday, April 13, 2014

Photos | Phantogram at The Pageant in St. Louis

All photos by Chris Lay

Phantogram delivered a wonderful set at The Pageant last Tuesday, and we had photographer Chris Lay on hand to capture the action. Please enjoy his shots of the show!













Friday, April 11, 2014

Wrap Up | Phuzzphest 2014


Winston-Salem, you've done it again.

The city that I only ever knew for having an associated brand of cigarettes, is actually a wicked groovy place! Lots of friendly people, tasty grub (chicken satay baja taco hell ya,) and most importantly, great music. Phuzzphest was replete with talented artists last year, but Phillip Pledger and crew managed to outdo themselves with this year's Phestivities. On top of the most diverse line-up yet, there was also a coffee conference, day parties, and even a bicycle race.

Things got going on Friday night and went straight through late Sunday evening, so there was definitely no shortage of things to see. These were my four favorite sets (in no particular order):

Dark Prophet Tongueless Monk

All photos by Dylan Newcity 
In a perfect world Dark Prophet Tongueless Monk would open every festival I attend. Winston-Salem's Jacob Leonard helms the project, joined by a drummer and two guys who manipulate ink on an overhead projector, which is exactly as awesome as it sounds. Onstage Leonard was surrounded by equipment, making heavy use of vocal effects and looping to construct an impressive wall of noise given that it was only two people making it. The layers of synthesizer and spacey guitar loops complimented Leonard's pitch-shifted vocals extremely well, blurring the line between man and machine. Acid flashback-esque visuals from the projector not only added a psychedelic visual element to the performance, but made the show flow more smoothly and kept things interesting between songs. It was all a bit like what I imagine an early Pink Floyd show was like, and I couldn't have enjoyed it more.

The Tills



Representing my current home of Asheville, NC, The Tills tore up Krankies Coffee Friday night with a set of raucous psych-pop ditties. The punkish snarl of frontman Harry Harrison was dressed up with multipart vocal harmonies and sparkly arpeggios. Every song was catchy as hell and had the sizable Krankies crowd boping along like tipsy zombies. I have to commend the drummer for his ridiculously tight playing whilst singing clear and expressively, not an easy feat. The diversity and unexpected song shifts made for a consistently entertaining performance, but sadly I missed the last five minutes of their set due to a message for me at the taco truck..

No Age



It's hard to imagine a better band to headline a festival named after fuzz than No Age. Noisy, fast, and utterly irresistible, the crowd was spurred to life within seconds of music starting. In fact, it quickly became impossible not to get sucked into one of the mini-moshpits that formed at the front of the stage. The breakneck tempos and steady hand of drummer Dean Spunt made this set one of the most danceable of the weekend, while guitarist Randy Randall's textural playing created the lush atmosphere on top. The sonic assault that is No Age  is not for the lighthearted, but if you can stand the decibels you're in for a treat.

Jessica Lea Mayfield



I had high expectations for Jessica Lea Mayfield's performance at The Garage Saturday night, and was not disappointed in the slightest. Aided by her husband on bass and a competent back up drummer, Mrs. Mayfield played tunes from 2011's Tell Me and a couple new tracks, including "Oblivious." The Ohio born chanteuse wielded a sparkly pink twelve string electric guitar to pound out out the jangley accompaniment to her lovesick (or is it sick of love?) songs. The sparse accompaniment accentuated the catharsis of Mayfield's few solos, but she didn't need flashy guitar work with a voice like hers. Thoroughly amazing performance.


Can't wait until next year, Phuzzphest!